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Matt Langer

I also finished this recently. And it is beautiful and haunting!

I was just thinking about it last night, even, while I was at (of all places) a startup party on the LES, looking around the room and wondering if this scene was proportionate in any way to that of the New York of the early 70s. And then wondering if this was even a fair comparison to make, or if it was a necessary one, and thinking about as you put it "what was subsequently lost and gained", and if the people I was in the room with represented our best and our brightest, or if we were somehow deficient in this respect and that P.S. had a point when she said the Detroits and the Baltimores of the world were the new New Yorks.

I didn't come to any conclusions aside from that of feeling like if I find myself ever even wondering if the crowd I'm a part of isn't as great as it could be then maybe I better be leading a more creative life and keeping better company.

Matthew Gallaway

These are difficult and important questions, Matt Langer. I think were living in an era when money/CAPITAL is so pervasive (and sadly, necessary) -- and the basic cost of living sooo expensive --  that its almost impossible to create anything without contemplating the idea of whether or not it will sell. This is not to say that Patti Smith and Robert M werent concerned with commerce and making it, but they (and so many others) seemed able to scrape by in ways that are just not possible today for a variety of reasons. (I cant imagine a 20-year old Robert and Patti existing today, but maybe thats just me being cynical). I dont think this is any different in Detroit or Baltimore: money, or the awareness of it, in my experience has infected every scene everywhere, and the internet is clearly a driving force in this regard, too. Also, our society also feels (to me at least) so much more segregated than in the era described by Patti Smith, when there seemed to be so much more cross-pollination between classes/genders/gays/straights/etc/etc. As someone who lives in Washington Heights, which is still relatively impoverished, I want to believe that its possible to create good art in New York City and to be part of a community, but at the same time, I often feel completely isolated up here, in ways that are both good and bad. (Hence my very mixed feelings when I ventured over to Greenpoint recently!) Ultimately, I think were living in a different time, and all we can do is make the best of it.

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Gods final



A young boy wanders into the woods of Harlem and witnesses the abduction of his sister by a glowing creature. Forty years later, now working as a New York City homicide detective, Gus is assigned to a case in which he unexpectedly succumbs to a vision that Helen is still alive. To find her, he embarks on an uorthodox investigation that leads to an ancient civilization of gods and the people determined to bring them back.

In this colossal new novel from the author of The Metropolis Case, the myth of Orpheus and Eurydice collides with a new religion founded by three corporate office workers, creating something beautiful, illogical, and overwhelming. Part sex manifesto, part religious text, part Manhattan noir—with a dose of deadly serious, internet inspired satire—#gods is a sprawling inquest into the nature of faith and resistance in the modern world. With each turn of the page, #gods will leave you increasingly reborn.

Praise for #gods

“#gods is a mystery, an excavation of myths, an index of modern life, a gay coming-of-age story, an office satire, a lyrical fever dream, a conspiracy. One of the most ambitious novels in recent memory—and a wild, possibly transformative addition to the canon of gay literature—it contains multitudes, and seethes with brilliance.” —Mark Doten, author of The Infernal

“Matthew Gallaway’s #gods is a novel so brilliant, so funny, so full of strange and marvelous things, I couldn’t stop writing OMG WTF I <3 THIS SO MUCH in its margins. It’s rare to find a novel that so dazzlingly reinvigorates age-old meditations on faith and f&!*ing, art and eros. Luminous, enterprising, and sublimely cheeky, #gods tells the story, the myth, the dream of the human soul in all its glorious complexity.” —Suzanne Morrison, author of Yoga Bitch

“Matthew Gallaway’s storytelling manages to be both dreamy and serious; lean and luxurious. His words carry an incantatory power of mythic storytelling where beauty and savagery wrap around each other like bright threads in a gorgeous tapestry.” —Natasha Vargas-Cooper, author of Mad Men Unbuttoned: A Romp Through 1960s America

“If the ancient gods were just like us, only more so, then the same could be said for this strange, wonderful book, in which the mundane sorrows and small triumphs of very ordinary lives glow ever so slightly around the edges, sometimes quite literally. At once an oddly romantic send-up of dead-end office culture and an offbeat supernatural procedural, #gods is terrifically weird, melancholy, sexy, and charming.” —Jacob Bacharach, author of The Bend of the World

The Metropolis Case

'It’s to the credit of Matthew Gallaway’s enchanting, often funny first novel that it doesn’t require a corresponding degree of obsession from readers, but may leave them similarly transported: the book is so well written — there’s hardly a lazy sentence here — and filled with such memorable lead and supporting players that it quickly absorbs you into its worlds.'

-- The New York Times

Music: Death Culture at Sea and Saturnine

Listen or download songs and records from my indie-rock past with Saturnine here and Death Culture at Sea here.

Music Video: Remembrance of Things Past

Watch the rock opera Remembrance of Things Past written and performed by Saturnine and Frances Gibson, starring Bennett Madison and Sheila McClear.

Video: The Chaos Detective

The Chaos Detective is a series about a man searching for 'identity' as he completes assignments from a mysterious organization. Watch the first episode (five parts) on YouTube.

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